Chasing shadows
Thursday July 24, 2003 – 9:00 amHere’s another article that bothered me today (=yesterday)… Desperately seeking Kraftwerk at the Guardian. The band doesn’t want to be disturbed; they only want to make music on their own terms if they make it at all. If they have to talk, they only want to talk about the current music and not go into discussions of the past. But the reporter wouldn’t take no for an answer; she went all the way to Dusseldorf and tried to track them down. Failed, but I guess she didn’t try hard enough. Still, what exactly was she looking for? I know she’s a journalist trying to make a living the same as everyone else, but I don’t understand the point of trying to hammer them down for an interview they clearly didn’t want to do. It reminds me of poor Syd Barrett trying to lead a private life but constantly being pestered by well-meaning fans and less-well-meaning photographers. Just doesn’t seem fair, but then nothing’s really fair, we all know that.
I think one of the biggest frustrations for me about making music (or not!) — and I guess this just as easily applies to everyone else who does anything — is that whatever you do, you can’t possibly do enough to satisfy either yourself or anyone else. If you make music or art, that’s not enough, you have to be an entertainer too. Which means you have to tour, otherwise people get mad at you for not playing in their town though you have played 50 miles away. If you accept that you’re also an entertainer, then you’ve accepted a completely different life than the one you set out to live in the first place. If you do one little thing, it might go forgotten, or you might have to live with the repercussions of that act for the rest of your life. And no matter how much you do, it’s never enough. I guess the more popular you are, the worse it gets. Madonna can’t give enough, Britney Spears can’t, nobody can because it’s impossible. The more you give, the more they want.
What did the author of the Kraftwerk article want to ask them? I can just hear it now… "How do you feel knowing your music has influenced a whole generation?" She’d rest her chin on her hands and smile at them expectantly. And they’d reply… "I don’t know… it was a fluke, we got lucky. We worked very hard, we made some music and apparently it got heard. It’s been a blessing and a curse." Would an answer like that have satisifed her? I don’t think so. We’re never satisfied, that’s the way life is. And as humans we can’t satisfy other humans either… you can’t be everywhere at the same time. You can’t help one person without neglecting another. If you say you’re really happy and satisfied with life as it is, you’re either lying or you’re crazy! John reminded me tonight of the first thing you learn when studying Zen Buddhism (not that either of us has studied anything very seriously!): life equals suffering. Get over it. Only then will you have any hope of finding happiness.
::sigh:: Too often I just get overwhelmed with life, no matter how you slice it. Not a day goes by that I don’t agonize over these little whys and wherefores. I wish I could just get over it and accept the whole pie as it is, the sweet and the sour too. But if I did that, and suddenly found myself truly happy, I’d be crazy, right? Gawd. I can just hear them now… "Shut up and play!!" And they’d be right.







July 25th, 2003 at 8:09 pm
I guess HE (Alex Petriedis is male) thought it was a reasonable angle for an article and would’ve made for a more interesting read than the interview with absurd stipulations they were offered instead. Sometimes these things can reveal more about an artist than a conventional interview if the writer is skilled enough – or it can end up being a self-indulgent wallow that reveals more about the writer…
It’s not an unknown journalistic concept and sometimes it works and sometimes it doesn’t…
July 25th, 2003 at 9:19 pm
Wow, sorry for making an ass of you and me. All the Alexis’s I’ve ever heard of were gals. It WAS an interesting read for me, taken from my perspective as a Kraftwerk fan. But having done interviews and being asked the wrong questions too many times, I also see their side of it. They get annoyed and I can really relate to that. Best way to get on my bad side is is to say ‘You’ve had a lot of boyfriends haven’t you? Let’s discuss.’ and the next one… ‘So… how much money do you make?’
July 25th, 2003 at 10:09 pm
*taps mike*
So what would be the most annoying question you’ve ever been asked?
Nah, I’m kidding.
July 26th, 2003 at 10:57 pm
I had to ponder this one but I think I know now. The most annoying question… or at least the most annoyed I ever got was the time an interviewer waited ’til the very end of our conversation and sez… "You’re friends with (musician’s name) aren’t you? Here’s the deal. I’m organizing a show and I’m trying to get him to play on it but he keeps saying no. Can you please talk to him and see if you can talk him into doing it?" I was all, "what do I look like, a booking agent?" I left feeling like the only reason the writer had talked to me was because of what I could potentially do for him.
July 27th, 2003 at 8:22 pm
Wow, Edith. That one takes the cake. I often play a game when I’m about to interview people of "what would be the most inappropriate question to open with?" Le Tigre, for instance, might get "So what do you have against men?" Good for a laugh, but I’d never GO there in person! Apparently not everyone has that self-editing facility.
More bad questions you’ve been asked, please! Only helps those of us who try to avoid asking ‘em.
July 28th, 2003 at 9:01 am
I’ll try, Mike but I probably won’t come up with any better than that. Usually people are very nice. At worst they’ve never heard my music and just ask the same ol’ boring questions, but you can’t blame ‘em for that.