A review by Dan DeLuca that appeared in the Philadelphia Inquirer

Chicago chanteuse Edith Frost moves between the Windy City’s alt-country and indie-experimental music axes. Her third album, "Wonder Wonder" (Drag City), is a reflective, shrewdly produced affair that makes deft use of strings and horns where appropriate. Frost’s distant-yet-emotive voice is sounding more and more like that of fellow Chicagoan Liz Phair these days, but her self-possessed songs of heartache are full of a gentle wistfulness all her own.