A review by "BS" that appeared in The Event Newsweekly (Salt Lake City, UT)…

Call Edith Frost the crossover cowgirl, the alterna-country singer who discovered the fuzz pedal.  On Telescopic, her newest Drag City release, she treads the familiar lyrical ground of lost love (so confessional an artist that she has posted diary entries on her web site) but with unexpectedly psychedelic sonic textures, with not just guitar but violin, accordion and singing saw.*  Her roots are as much in Royal Trux as in Hank and Patsy.  The reflectiveness isn’t diluted, however, by the added dimension.  Her music is so personal that this new genre she’s almost single-handedly invented doesn’t sound alien at all.

* Correction from EF: There is no singing saw on Telescopic.