Archive for the tag "canada"

Media Club (Vancouver, BC)

With the Zincs and Sean Wesley Wood

At the Media Club
695 Cambie St., Vancouver B.C.
(604) 608-2871

My band: Nathaniel Braddock (guitar); Ryan Hembrey (bass); Jason Toth (drums)

My pics from Montreal

Montreal


Montreal Expos at Chicago Cubs


Exclaim! review

A review by James Keast that appeared in the August 2001 issue of Exclaim! (Canada’s Music Authority)…

Chicagoan Edith Frost’s third album continues the path of heart-wrenching, introspective and beautiful songwriting, backed with simple, spare arrangements and her haunting, hint-of-twang voice. She comes by her portion of Southern country honestly, having toiled in several different country and Western swing bands before landing in the Windy City and on Drag City, following like-minded singer/songwriter Will Oldham. Frost isn’t nearly so lackadaisical and contrary as Oldham, and Wonder Wonder shines with some hope and brightness that makes it mellow but not dark. Members of Eleventh Day Dream, Sea and Cake and other Chicago notables appear to back her up, but Frost could caress her guitar and whisper in the corner and demand to be heard.

Train Wreck interview

An interview by Michael McLeod that appeared in the Fall 1997 (#2) issue of Train Wreck, a zine out of Sydney, Nova Scotia, Canada. I don’t know the exact date the issue came out.

Edith Frost: Authentic, heartsick, personal & poignant

From a cool and steel gray channel encompassing the horizon, a glimmer of hope emerges. Beauty and optimism slowly wrap around your being as you witness flower petals effortlessly dancing upon the water’s surface with candles calmly floating on leaves set adrift under the dwindling light. Edith Frost is the voice from which the glimmer, the beauty and the optimism spring forth in introspective gentleness.

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Painfully uncompelling

A review of Calling Over Time by Ilana Kronick that appeared in VICE (Canada) in 1997… not sure of the exact date.

Unlike labelmate Bill "Smog" Callahan, Edith Frost’s earnest-hearted acoustic pitter-patters are painfully uncompelling.  She tries her damndest to stir your soul, but since her music — though sometimes pretty and all — has little soulful quality itself, Frost’s efforts entirely in vain. [sic]

This woman later wrote a semi positive review of my second album which appeared in Hour Magazine (Toronto).  It made no mention of her having hated Calling Over Time… she called it "an under-appraised gem"!!  Whatever.