Archive for the tag "lullaby"
Sokol Underground (Omaha, NE)
Sunday April 28, 2002 – 7:00 pmWith: Central Falls, Mayday
My band: Jim Becker (guitar, violin, keyboards), Ryan Hembrey (electric bass, backing vocals), Adam Vida (drums)
(Mayday’s singer is Ted Stevens, formerly of Lullaby for the Working Class)
The Moroccan (Salt Lake City, UT)
Monday February 8, 1999 – 7:00 pmWith: Lullaby For The Working Class, Glade
My band: Ryan Hembrey (bass, guitar), Jason Adasiewicz (drums, glockenspiel), Mike Mogis (pedal steel), Shane Aspegren (percussion), Ted Stevens (harmonica)
Bottom of the Hill (San Francisco, CA)
Tuesday February 2, 1999 – 7:00 pmPlayed at the Bottom of the Hill with Lullaby For The Working Class and A Night Of Serious Drinking
My band: Ryan Hembrey (bass, guitar), Jason Adasiewicz (drums, glockenspiel), Mike Mogis (pedal steel), Shane Aspegren (percussion), Ted Stevens (harmonica)
Spaceland (Los Angeles, CA)
Saturday January 30, 1999 – 7:00 pmPlayed at Spaceland with Lullaby For The Working Class and King Radio
My band: Ryan Hembrey (bass, guitar), Jason Adasiewicz (drums, glockenspiel), Mike Mogis (pedal steel), Shane Aspegren (percussion), Ted Stevens (harmonica)
Stinkweed’s (Tempe, AZ)
Thursday January 28, 1999 – 3:00 pmAn instore performance with Lullaby For The Working Class
My band: Ryan Hembrey (bass, guitar), Jason Adasiewicz (drums, glockenspiel), Mike Mogis (pedal steel), Shane Aspegren (percussion)
Arizona Republic interview
Wednesday January 27, 1999 – 5:01 pmAn interview by Noah Slankard that appeared in the the Arizona Republic…
Cool Country Air: Chicago invigorates Edith Frost’s spare, moody music
Edith Frost isn’t feeling her best. Nobly, she engages me in charming discourse for an hour, despite the cold she’s recovering from. She shouldn’t be smoking, either, but that doesn’t keep her from indulging in a few cigarettes as we chat.
Outside her boyfriend’s Chicago apartment, it’s a typical subzero blustery winter day.
Daily Texan interview
Thursday January 21, 1999 – 5:01 pmAn interview by Jay DeFoore that appeared in the Daily Texan, the University of Texas student paper…
Permanent Frost: Lo-Fi country charmer, sans blue mohawk, comes home
Singer/songwriter Edith Frost has come a long way since the early ’80s when she wore a blue mohawk and worked behind the counter of Austin’s favorite headshop, Oat Willie’s.
Just looking at her, one would never guess the girl with the thin frame, wispy brown hair and sweet-as-honey voice could rock a punk haircut, much less a punk-’n'-roll club like Emo’s.
Austin Chronicle preview
Thursday January 21, 1999 – 5:00 pmAn interview / show preview by Kim Mellen that appeared in the January 22-28, 1999 issue of the Austin Chronicle…
Edith Frost, Lullaby for the Working Class, Knife in the Water
Emo’s, Saturday 23
Rooted somewhere in the Midwest, there’s a vast family tree growing from the mulch of Nineties indie rock. Its branches are surnamed experimental, post-rock, shoegazer, and otherwise pruned-down sparse-rock too young to be named, composed of the members of Tortoise, Gastr del Sol, Palace, and a gazillion others. Recently alit on its gnarled, inbred branches is Chicago songbird Edith Frost, who can’t believe how her former nest of Austin, which she left early this decade, has grown. Her openness and excitement about this and every topic belies the often turbid waters of her musical gene pool.






